Ibsen And The Actress

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Ibsen and the actress :

Literary Criticism

Author - Elizabeth Robins
Publisher - Haskell House Pub Ltd
Pages - 55
ISBN -


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Detail - An in-depth analysis of the relationship between the premier Norwegian dramatist & the female roles of his creation, a creation by means of which he aimed to expose the shams & fettering the women of his day - & of ours.

Stella Adler on Ibsen, Strindberg, and Chekhov :

Literary Criticism

Author - Stella Adler
Publisher - Alfred A. Knopf
Pages - 323
ISBN - 9780679424420


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Detail - Legendary acting teacher Stella Adler gives her insights on the work of Henrik Ibsen, August Strindberg, and Anton Chekhov

Ibsen, Scandinavia and the Making of a World Drama :

Literary Criticism

Author - Narve Fulsås, Tore Rem
Publisher - Cambridge University Press
Pages - 280
ISBN - 110718777X


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Detail - Henrik Ibsen's drama is the most prominent and lasting contribution of the cultural surge seen in Scandinavian literature in the later nineteenth century. When he made his debut in Norway in 1850, the nation's literary presence was negligible, yet by 1890 Ibsen had become one of Europe's most famous authors. Contrary to the standard narrative of his move from restrictive provincial origins to liberating European exile, Narve Fulss and Tore Rem show how Ibsen's trajectory was preconditioned on his continued embeddedness in Scandinavian society and culture, and that he experienced great success in his home markets. This volume traces how Ibsen's works first travelled outside Scandinavia and studies the mechanisms of his appropriation in Germany, Britain and France. Engaging with theories of book dissemination and world literature, and re-assessing the emergence of 'peripheral' literary nations, this book provides new perspectives on the work of this major figure of European literature and theatre.

Actresses on the Victorian Stage : Feminine Performance and the Galatea Myth

History

Author - Gail Marshall
Publisher - Cambridge University Press
Pages - 233
ISBN - 9780521620161


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Detail - Gail Marshall argues that the professional and personal history of the Victorian actress was largely defined by her negotiation with the sculptural metaphor, and that this was authorized and determined by the Ovidian myth of Pygmalion and Galatea. Drawing on evidence of theatrical fictions, visual representations and popular culture's assimilation of the sculptural image, as well as theatrical productions, she examines some of the manifestations of the sculptural metaphor on the legitimate English stage, and its implications for the actress in the later nineteenth century. Within the legitimate theatre, the 'Galatea-aesthetic' positioned actresses as predominantly visual and sexual commodities whose opportunities for interpretative engagement with their plays were minimal. This dominant aesthetic was effectively challenged only at the end of the century, with the advent of the 'New' drama, and the emergence of a body of autobiographical writings by actresses.

Shaw and the Actresses Franchise League : Staging Equality

Performing Arts

Author - Ellen Ecker Dolgin
Publisher - McFarland
Pages - 256
ISBN - 1476619794


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Detail - "Dolgin's book defines historical events in a strikingly new way by exploring the interconnectedness between Edwardian dramatists, actresses and suffragettes, and defines an unexpected cultural phenomenon merging arts and activism."--Christopher Innes, Canada Research Chair in Performance & Culture, York University, Toronto. Early 20th century non-commercial theaters emerged as hubs of social transformation on both sides of the Atlantic. The 1904-1907 seasons at London's Royal Court Theatre were a particularly galvanizing force, with 11 plays by Bernard Shaw--along with works by Granville Barker, John Galsworthy and Elizabeth Robins--that starred activist performers and challenged social conventions. Many of these plays were seen on American stages. Featuring more conversation than plot points, the new drama collectively urged audiences to recognize themselves in the characters. In 1908, four hundred actresses attended a London hotel luncheon, determined to effect change for women. The hot topics--chillingly pertinent today--mixed public and private controversies over sexuality, income distribution and full citizenship across gender and class lines. A resolution emerged to form the Actresses Franchise League, which produced original suffrage plays, participated in mass demonstrations and collaborated with ordinary women.

The Wild Duck :

Drama

Author - Henrik Ibsen
Publisher - Courier Corporation
Pages - 96
ISBN - 0486158144


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Detail - The idealistic son of a corrupt merchant exposes his father's duplicity, but in the process, destroys the very people he wishes to save.

Eleonora Duse : A Biography

Biography & Autobiography

Author - Helen Sheehy
Publisher - Knopf
Pages - 400
ISBN - 030748422X


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Detail - A new biography, the first in two decades, of the legendary actress who inspired Anton Chekhov, popularized Henrik Ibsen, and spurred Stanislavski to create a new theory of acting based on her art and to invoke her name at every rehearsal. Writers loved her and wrote plays for her. She be-friended Rainer Maria Rilke and inspired the young James Joyce, who kept a portrait of her on his desk. Her greatest love, the poet d’Annunzio, made her the heroine of his novel Il fuoco (The Flame). She radically changed the art of acting: in a duel between the past and the future, she vanquished her rival, Sarah Bernhardt. Chekhov said of her, “I’ve never seen anything like it. Looking at Duse, I realized why the Russian theatre is such a bore.” Charlie Chaplin called her “the finest thing I have seen on the stage.” Gloria Swanson and Lillian Gish watched her perform with adoring attention, John Barrymore with awe. Shaw said she “touches you straight on the very heart.” When asked about her acting, Duse responded that, quite simply, it came from life. Except for one short film, Duse’s art has been lost. Despite dozens of books about her, her story is muffled by legend and myth. The sentimental image that prevails is of a misty, tragic heroine victimized by men, by life; an artist of unearthly purity, without ambition. Now Helen Sheehy, author of the much admired biography of Eva Le Gallienne, gives us a different Duse—a woman of strength and resolve, a woman who knew pain but could also inflict it. “Life is hard,” she said, “one must wound or be wounded.” She wanted to reveal on the stage the truth about women’s lives and she wanted her art to endure. Drawing on newly discovered material, including Duse’s own memoir, and unpublished letters and notes, Sheehy brings us to an understanding of the great actress’s unique ways of working: Duse acting out of her sense of her character’s inner life, Duse anticipating the bold aspects of modernism and performing with a sexual freedom that shocked and thrilled audiences. She edited her characters’ lines to bare skeletons, asked for the simplest sets and costumes. Where other actresses used hysterics onstage, Duse used stillness. Sheehy writes about the Duse that the actress herself tried to hide—tracing her life from her childhood as a performing member of a family of actors touring their repertory of drama and commedia dell’arte through Italy. We follow her through her twenties and through the next four decades of commissioning and directing plays, running her own company, and illuminating a series of great roles that included Emile Zola’s Thérèse Raquin, Marguerite in Dumas’s La Dame aux camélias, Nora in Ibsen’s A Doll’s House, and Hedda in his Hedda Gabler. When she thought her beauty was fading at fifty-one, she gave up the stage, only to return to the theatre in her early sixties; she traveled to America and enchanted audiences across the country. She died as she was born—on tour. Sheehy’s illuminating book brings us as close as we have ever been to the woman and the artist. From the Hardcover edition.

The Lady from the Sea :

Drama

Author - Henrik Ibsen, Pam Gems
Publisher - Oberon Books
Pages - 88
ISBN - 1849438382


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Detail - The Lady From The Sea (1888) marked a turning-point in Ibsen’s writing career as it, and the plays that followed it, concerned itself more with individual destinies than with general moral or social principles. In this new translation, Pam Gems (best known for plays such as Piaf, Stanley, Camille and Dusa, Fish, Stas and Vi) gives this classic drama a refreshing new life. The Lady From The Sea was performed at the Almeida Theatre, 8th May 2003.

Ibsen and the English Stage, 1889-1903 :

Literary Criticism

Author - Gretchen P. Ackerman
Publisher - New York : Garland Pub.
Pages - 500
ISBN -


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Henrik Ibsen and the Birth of Modernism : Art, Theater, Philosophy

Literary Criticism

Author - Toril Moi
Publisher - Oxford University Press, USA
Pages - 396
ISBN - 9780199295876


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Detail - Published to coincide with the hundredth anniversary of his death, this is first major critical study in English of Henrik Ibsen for almost forty years. Toril Moi offers a radical reappraisal of Ibsen's place in the birth of modernism and the origins of modern theatre, his influence on other writers, and the connection between his visual imagination and his plays.

The Magnetic North :

Author -
Publisher - Ardent Media
Pages -
ISBN -


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Detail -

Post-war British Drama: Looking Back in Gender :

Performing Arts

Author - Michelene Wandor
Publisher - Routledge
Pages - 288
ISBN - 1134773110


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Detail - In this extensively revised and updated edition of her classic work, Look Back in Gender, Michelene Wandor confirms the symbiotic relationship between drama and gender in a provocative look at key, representative British plays from the last fifty years. Repositioning the text at the heart of hteatre studies, Wandor surveys plays by Ayckbourn, Beckett, Churchill, Daniels, Friel, Hare, Kane, Osborne, Pinter, Ravenhill, Wertenbaker, Wesker and others. Her nuanced argument, central to any analysis of contemporary drama, discusses: *the imperative of gender in the playwright's imagination *the function of gender as a major determinant of the text's structural and narrative drives *the impact of socialism and feminism on post-war British drama, and the relevance of feminist dynamics in drama *differences in the representation of the fmaily, sexuality and the mother, before and after 1968 *the impact of the slogan that the 'personal is political' on contemporary form and content.