Nicolas Slonimsky Russian And Soviet Music And Composers

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Nicolas Slonimsky: Russian and Soviet music and composers :

Music

Author - Nicolas Slonimsky, Electra Yourke
Publisher - Psychology Press
Pages - 252
ISBN - 0415968666


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Detail - First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Nicolas Slonimsky: Russian and Soviet music and composers :

Music

Author - Nicolas Slonimsky
Publisher -
Pages -
ISBN -


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Detail -

Nicolas Slonimsky: Russian and Soviet music and composers :

Music

Author - Nicolas Slonimsky, Electra Yourke
Publisher - Psychology Press
Pages - 252
ISBN - 9780415968669


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Detail - First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Dear Dorothy : Letters from Nicolas Slonimsky to Dorothy Adlow

Literary Collections

Author - Nicolas Slonimsky
Publisher - University Rochester Press
Pages - 328
ISBN - 1580463959


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Detail - The fascinating letters of conductor-author Nicolas Slonimsky (1894-1995) to his wife, sharing his adventures as he traveled around the world to conduct new American music.

Nicolas Slonimsky : Writings on Music

Music

Author - Nicolas Slonimsky
Publisher -
Pages -
ISBN -


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Detail -

Nicolas Slonimsky: Music of the modern era :

Music

Author - Nicolas Slonimsky, Electra Yourke
Publisher - Taylor & Francis
Pages - 341
ISBN - 0415968674


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Detail - First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Perfect Pitch : An Autobiography

Biography & Autobiography

Author - Nicolas Slonimsky
Publisher - Omnibus Press& Schirmer Trade Books
Pages - 318
ISBN -


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Detail - Slonimskyâs 1988 autobiography, expanded in 2002 by his daughter Electra Yourke, tells the fascinating story of his life as pianist, composer, conductor and musical lexicographer.

Music Since 1900 :

Reference

Author - Laura Diane Kuhn
Publisher - Schirmer Reference
Pages - 1174
ISBN -


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Detail - Significant musical events of the twentieth century are described in chronological order.

The Great Composers and Their Works :

Author - Nicolas Slonimsky (Musikwissenschaftler)
Publisher -
Pages - 674
ISBN - 9780028649559


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Detail -

Alan Bush, Modern Music, and the Cold War : The Cultural Left in Britain and the Communist Bloc

History

Author - Joanna Bullivant
Publisher - Cambridge University Press
Pages - 245
ISBN - 1107033365


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Detail - The first major study of Alan Bush, this book provides new perspectives on twentieth-century music and communism. British communist, composer of politicised works, and friend of Soviet musicians, Bush proved to be 'a lightning rod' in the national musical culture. His radical vision for British music prompted serious reflections on aesthetics and the rights of artists to private political opinions, as well as influencing the development of state-sponsored music making in East Germany. Rejecting previous characterisations of Bush as political and musical Other, Joanna Bullivant traces his aesthetic project from its origins in the 1920s to its collapse in the 1970s, incorporating discussion of modernism, political song, music theory, opera, and Bush's response to the Soviet music crisis of 1948. Drawing on a wealth of archival sources, including recently released documents from MI5, this book constructs new perspectives on the 'cultural Cold War' through the lens of the individual artist.

Nicolas Slonimsky: Early articles for the Boston evening transcript :

Music

Author - Nicolas Slonimsky, Electra Yourke
Publisher - Psychology Press
Pages - 208
ISBN - 0415968658


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Detail - First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

Music and Ideology in Cold War Europe :

Music

Author - Mark Carroll
Publisher - Cambridge University Press
Pages - 256
ISBN - 0521031133


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Detail - This book places the radicalization of art music in early post-war France in its broader socio-cultural and political context. It pursues two general and intersecting lines of inquiry. The first details the stances towards musical conservatism and innovation adopted by cultural strategists representing Western and Soviet ideological interests at the onset of the Cold War. The second, which draws upon the commentaries of Theodor Adorno and Jean-Paul Sartre, recognizes that the Cold War generated a heightened political awareness amongst French musicians at the very time when the social relevance of avant-garde music had become the subject of widespread debate. The study considers the implications of the performance at L'Oeuvre du XXe siècle, an international arts festival staged in Paris in 1952 with the intention of discrediting socialist realism by means of two opposing musical types: neo-classicism (represented by Stravinsky's Symphony in C) and serialism (Boulez's Structures 1a).